Piece Title: Afta-Stuba! No. of times Viewed (December ) Total No. of times Viewed No. of Media Uploads:0(Videos -0, MP3 – 0, Photos – 0). Premiered at PASIC , “Afta-Stuba!,” which is written for three marimbists performing on one low-A marimba, is a sequel to Mark Ford’s. Afta-Stuba. By Mark Ford, Christopher Deane, Shawn Hart. • 1 song, Play on Spotify. 1. Afta-Stuba – Christopher Deane, Shawn Hart.
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If you have any suggestions or comments on the stba, please email us. The work calls for the players to alternate positions behind the marimba, and even play the instrument from the front side. In this piece, each player plays in every register of the instrument at different times in the music.
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The result is a piece that provides as much fun for its performers as it does for the audience, and one that should be regularly heard on college percussion recitals. This stubq will appear next to your review. This composition can be performed after Stubernic or independently.
Afta Stuba – Mark Ford – Percussion Keyboard – Sheet Music / Music Scores
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Raush Percussive Notes, June Those who have played “Stubemic” will recognize motives shared by both pieces. This composition can be performed after Stubernic or independently. Do you like the artist? We do not use or store email addresses from this form for any other purpose than sending your share email. Close X Music Lists. Close X Learn about Smart Music. Stick and Mallet Bags. Rate this product’s difficulty level: Please do not use inappropriate language, including profanity, vulgarity, or obscenity.
A few Stubernic motives are utilized in Afta-Stuba! The three marimbists must address the keyboard from all points of the compass in order to execute the tightly-written, closely coordinated, three-part counterpoint that characterizes the work.
Those who have played “Stubemic” will recognize motives shared by both pieces. Sorry but your review could not be submitted, please verify the form and try again.
The three marimbists must address the keyboard from all points of the compass in order to execute the tightly-written, closely coordinated, three-part counterpoint that characterizes the work.