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Andrew Sarris: Director Categories from “The American Cinema: Directors and Directions ” [Published in ]. “The American Cinema is more than . The American cinema: directors and directions, Responsibility: by Andrew Sarris. Edition: 1st Da Capo Press ed. Imprint: New York: Da Capo Press . Andrew Sarris. · Rating details · ratings · 16 reviews. “The American Cinema is the Citizen Kane of film criticism, a brilliant book that elevated American.

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Sarris’s The American Cinemathe bible of auteur studies, is a history of American film in the form of a lively guide to the work of two hundred film directors, from Griffith, Chaplin, and von Sternberg to Mike Nichols, Stanley Kubrick, and Jerry Lewis.

Finally there is a rather dismissive section on women directors, which, thankfully, hopelessly inadequate. Historically important and definitely a good source for neglected genre directors but unless you are also invested in directors for how “masculine” or “robust” they are then you will probably find most of the descriptions to be at best moderately useful and at worst vomit-inducing Montclair Book Center Condition: May not contain Access Codes or Supplements.

By using this site, you agree to the Terms of Use and Privacy Policy. Purchase Subscription prices and ordering Short-term Access To purchase short term access, please sign in to your Oxford Academic account above. First Da Capo Press Edition. Describe the connection issue.

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Buy with confidence, excellent customer service! This is almost a little redundant considering how personal Sarris probably considered his ratings but the sort of confusion of quality as a director with distaste for the directors subjects or style is like very amwrican and strangely contradicts his own supposed anti-moralism. And it quickly becomes apparent just how many films, and how much dedication Sarris must have invested in such a comprehensive project.


Little of the above is questioned today, although the age of the franchise film and decentralized production demands more exacting standards and judicious selectivity on the part of viewers. Has a good binding and tight pages.

The American cinema: directors and directions, – Andrew Sarris – Google Books

No other piece of writing has had such a profound impact on my life. Email alerts New issue alert. Responsibility by Andrew Sarris. Sarris was a co-founder of the National Society of Film Critics. The evil overlord from Galaxy Quest was named after him!

Milton Glaser Cover Design. The book re-enforces that it is difficult to say where ‘American’ cinema ends or begins. This is a major flaw of the book and his thinking in general. Cinemz Read Edit View history.

Browse related items Start at call number: Marcine Miller rated it it was sarrid Aug 13, Jun 29, Keith Brinkmann rated it liked it. American Cinema Andrew Safris The book commences with “The woods and the trees”, one of the most brilliant analyses of the nature of film art in the era of the Hollywood Studio system.

Most famous for his essay “Notes on the Cineja theory” which popularized this film criticism technique in America. Refresh and try again. Sarris’s The American Cinemathe bible of auteur studies, is a history of American film in the form of a lively guide to the work of two hundred film directors, from Griffith, Chaplin, and von Sternberg to Mike Nichols, Stanley Kubrick, and Jerry Lewis.

After the Pantheon, the going gets harder. Directors and Directions, Andrew Sarris American Cinema Sarris, Andrew Plume.

Brandon Isaacson rated it really liked it Nov 23, Want to Read saving…. That these ideas are widely ameridan now is partly a measure of the book’s success, neither idea was mainstream in American film crit This is a book based around two straightforward but powerful ideas.

Aug 27, Hugo rated it really liked it. His overall view, shared by Manny Farber, that genre films are ignored in favor of forgettable prestige movies resonated with me. You can doubt the utility of such a canonical approach, but I’d argue that those andew the pantheon are rightly considered elite and that Sarris’ description of their work is wonderfully insightful.

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Nielsen Book Data Publisher’s Summary The auteur theory, of which film criticAndrew Sarris was the leading American proponent, holds that artistry in cinema can be largely attributed to film directors, who, while often working against the strictures of studios, producers, and scriptwriters, manage to infuse each film in their oeuvre with their personal style.

This is evidenced in his criticism of David Lean. Soviet cinema and the fantasy of no limits. This book zndrew soft covers. Skip to search Skip to main content.

So it remains an indispensable reference. Most users should sign in with their email address. From a scholarly perspective, Sarris’ method is outrageous – the dividing of film directors into wacky categories like ‘Less finema meets the eye’ and amerjcan seriousness’ – but in spite of just a few judgments that, in the course of time have been shown to be dubiou What can one say about a book that inspired a generation of cinephiles?

Published August 22nd by Da Capo Press first published During this part of his career, he was often seen as a andrww to the New Yorker ‘s Pauline Kaelwho had originally attacked the auteur theory in her essay “Circles and Squares.

Open Preview See a Problem? It would be interesting to see this pursued further. This page was last edited on 28 Novemberat