Lélio, Berlioz’s dramatic sequel to the Symphonie fantastique, is never going to command wide popularity, but it is well worth hearing for the charming music he. This double-disc release features Berlioz’s thrilling Symphonie fantastique with its sequel Lélio ou le retour à la vie. The concerts took place in. Berlioz wrote Lélio as the “conclusion and complement” of his Symphonie fantastique—the resolution of the earlier work’s tortured tale, a.
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Narrator, Tenor, Baritone soli, Mixed Chorus, Orchestra 2 flutes 2nd also piccolo2 oboes 2nd also English horn2 clarinets, 4 bassoons 4 horns, 2 trumpets, 2 cornets, 3 trombones, ophecleide timpani, percussion, harp, piano 2 and 4 handstrings.
Berlioz Lélio, ou Le Retour à la vie
Retrieved from ” https: He then leads an orchestra to a successful performance of one of his new compositions and the story ends peacefully. Duration 50 minutes Composer Time Period Comp.
Les Francs-jugesOp. This article includes a list of referencesrelated reading or external linksbut its sources remain unclear because it lacks inline citations.
The Hector Berlioz Website – Berlioz Libretti Lélio ou le retour à la vie
Peter Cornelius —German text English translator unknown. See Wikipedia’s guide to writing better articles for suggestions.
Messe solennelle Grande messe des mortsOp. Please help improve it or discuss these issues on the talk page.
It was revised for a performance in Weimar at the request of Franz Liszt in and published the following year.
Lélio, ou le retour à la vie, H 55 (Berlioz, Hector)
Period Romantic Piece Style Romantic Instrumentation Narrator, Tenor, Baritone soli, Mixed Chorus, Orchestra 2 flutes 2nd also piccolo2 oboes 2nd also English horn2 berlooz, 4 bassoons 4 horns, 2 trumpets, 2 cornets, 3 trombones, ophecleide timpani, percussion, harp, piano 2 and 4 handstrings.
Lélio – Wikipedia
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May Learn how and when to remove this template message. Retrieved from ” http: Please improve the article or discuss the issue. From Wikipedia, the free encyclopedia.
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Views Read Edit View history. The actor’s dramatic monologues explain the meaning of the music in the life of the artist. The symphony uses programme music to describe a despairing artist trying to kill himself with an overdose of opiumleading to a series of increasingly terrifying visions.
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