Ximi Elga


Ariel Dorfman’s explosively provocative, award-winning drama is set in a country that has only recently returned to democracy. Gerardo Escobar has just been. Dorfman, Schubert, and Death and the Maiden. David Schroeder. Dalhousie University. Follow this and additional works at: In his article, “Dorfman, Schubert, and Death and the Maiden,” David Schroeder suggests that the selection of the play’s title Death and the Maiden () by.

Author: Faelrajas Mataur
Country: Niger
Language: English (Spanish)
Genre: Education
Published (Last): 22 November 2012
Pages: 65
PDF File Size: 17.5 Mb
ePub File Size: 9.94 Mb
ISBN: 525-8-96396-401-4
Downloads: 68537
Price: Free* [*Free Regsitration Required]
Uploader: Aragrel

I’m thrilled that the relations between men and women that I explored, the intricacies of memory and madness, the aftermath of violence, the uncertainty of truth and narrative, continue to capture the imagination of so many.

The dictatorship that plagued her land has just fallen, and everything is uncertain. My goals were far more modest. Schroeder further explains that the connection with Schubert’s work is also better understood in relation to Schubert’s belief in the impossibility of returning to life “as it was before” after destructive episodes. Skip to main content. And now I have come back to London, and my characters have returned to the city that embraced them when they were as homeless as I was.

By using this site, you agree to the Terms of Use and Privacy Policy. Paulina records the entire confession and has Roberto thd it out and sign it. Views Read Edit View history. Royal Court Deaht London.

It had one reading and one workshop production prior to its world premiere. In fact, at the end of the play, as Schroeder argues, it is Schubert’s music from the quartet that has the final say.

So many societies that back then were being torn by the question of what you do with the trauma of the past, how to live side by side with your enemies, how to judge those who had abused power without destroying the fabric of a reconciliation necessary to move forward. The rapist doctor played Schubert ‘s String Quartet No.

Comparative Literature and Culture 9. It was not something I had anticipated, this planetary weight and import, when I wrote the play in Santiago. Retrieved from ” https: The dictator was no longer in power, but his influence, his disciples, his corrupting shadow invaded every aspect of political life.


Miranda stops to assist him.

At the end of the play it is unclear who is innocent. Miranda’s similarities with Schubert’s Death. After hearing the full story of her captivity from Paulina, Gerardo formulates a confession with Roberto to appease Paulina’s madness and set her free from her past.


“Dorfman, Schubert, and Death and the Maiden” by David Schroeder

I’m thrilled that Death and the Maiden has not aged over these 20 years, that it still moves people to tears, confronts them with a tragedy that has no clear solution, that it speaks to our world today with the same passion it embodied yesterday.

Death and the Maiden film. From Wikipedia, the free encyclopedia. A stranger named Dr. In his article, “Dorfman, Schubert, and Death and the Maiden,” David Schroeder maidne that the selection of the play’s title Death and the Maiden by Ariel Dorfman is a careful one.

With the same cast and director, it transferred to the Mainstage at The Royal Court on 4 November It seemed to deaty the obligation of a writer was to force the country to look at itself, at what all those years of mendacity and doorfman had wrought.

The woman is full of fear, gripped by a secret terror that she only shares with the man she loves. The time is the present and the thhe, a country that is probably Chile but could be any country that has given itself a democratic government just after a long period of dictatorship.

I can’t help but ask if 20 years from now I will be writing this phrase all over again: Dorfman, Schubert, and Death and the Maiden. Her husband, a lawyer in charge of a commission investigating the deaths of thousands of dissidents under the previous regime, must defend the accused man because without the rule of law the transition to democracy will be compromised; if his wife kills that doctor, the husband will not be able to help heal a sick and wounded land.

Death and the Maiden’s haunting relevance | Ariel Dorfman | Opinion | The Guardian

Death and the Maiden plunged its finger into the wound of Chile by showing that the executioners were among us, smiling on the streets but also interrogated the democratic elite, wondering what ideals they had forced themselves to sacrifice. Show 25 25 50 All. The Australian premiere production of Death and the Maiden took place on 16 December David SchroederDalhousie University. An opera based on the play has been composed by Jonas Forssell with the libretto by Ariel Dorfman. When Gerardo comes back from a visit to the president, he gets a flat tire.


While they are alone for the last time, Paulina accuses Roberto of being unrepentant and guilty beyond a reasonable doubt. Throughout the play it is uncertain whether details are evidence of Roberto’s guilt or Paulina’s paranoia.

Death and the Maiden

A woman awaits the return of her husband as the sun goes down. Paulina Salas is a former political prisoner in an unnamed Latin American country who had been raped by her dorcman, led by a sadistic doctor whose face she never saw.

Authors David SchroederDalhousie University. For other uses, see Death and the Maiden disambiguation. During the night and the day that follows she will have to confront that fear, she will bring to justice in her living room the doctor she believes is responsible for having tortured and raped her years ago. Death and the Maiden is a play by Chilean playwright Ariel Dorfman.

Paulina, the woman who had been raped and tortured and betrayed, was the most violent person on that stage, so the question for her was not any easier: Schroeder proposes that it is not only that the title of the piece comes directly from Franz Schubert’s String Quartet in D minor, so named because it uses material from the song of the same name as the theme for the second movement. Neither did I let the victims off the hook.

Schroeder argues that Dorfman’s thoughtful choice is as much related to the strong parallels between Schubert’s Maiden and Dorfman’s character Paulina Deqth, as to Dr.