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HIKA LEO BROUWER PDF

Leo Brouwer: Hika ‘In Memoriam Toru Takemitsu’ – Play streams in full or download MP3 from Classical Archives (), the largest and best. Check out Hika “in Memorian Toru Takemitsu” Leo Brouwer by Manuel Espinás on Amazon Music. Stream ad-free or purchase CD’s and MP3s now on.

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I played a lot of Brouwer the last few years, somehow his music fits my way of playing.

Brouwer – Hika – your thoughts? – Classical Guitar

jika Classical Guitar Skip to content. What would we do without all your reports on the Brouwer festivals and other helpful posts? Glad you may stick around longer—this forum benefits from the likes of you! While there is an overarching “lament” feel running throughout, it may help to pick up the sections within the piece lei separate “episodes of lament” and contrast them accordingly – and I feel that the composition has been “encoded” with interpretative clues for this to happen.

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Any thoughts of the Delcamp community on this piece? Costas keo me in a masterclass that the melody is actually Homeric in origin—that is very ancient indeed! Japanese koto music on guitar.

I particularly endorse David Belcher’s point about the transitions. Also check out Shin-Ichi Fukuda’s recording if you can get your hands on it, which I consider to be the best version. The basic thing about playing the guitar is the pleasure you get from it. Always liked the piece. Reedition Domingo Esteso by Conde Hermanos ; Kenny Hill, model Barcelona “While you try to master classical guitar, prepare for a slave’s life: It is nonetheless perfectly suited to this piece after Takemitsu.

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Classical Guitar

He uses the melody that first appeared in his very early “Tres Apuntes” and there called “Bulgarian. I don’t know his sources and have hhika studied this myself, so I’d be interested to hear about it too!

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It’s full of contrasts: I don’t have the score in front of me right now, but can revert with more detail later if needed.

Brouwer – Hika – your thoughts?

This is a challenging piece, not necessarily because of the quick passages many of these are aided by the scordaturabut because of the difficulty of maintaining the appropriate feel throughout the various transitions. Another important thing to consider is that “Hika” is a lament in Japanese musical tradition from what I understand and so this piece in memory of Brouwer’s good friend, Toru Takemitsu, is really a sort of mournful elegy in his memory.

I will report back when I have started learning the piece. There’s nothing wrong with pleasure is there?