Isidora Sekulić was a Serbian prose writer, novelist, essayist, polyglot and art critic. Contents Her collection of short stories, Saputnici, are unusually detailed and penetrating accomplishment in self-analysis and a brave stylistic experiment. One may deduce from many of Sekulic’s writings that family life was an pieces, Saputnici (Companions), describes a child living the secret, solitary life of her of different kinds of text: “Isidora Sekulic appeared almost simultaneously as a . Isidora Sekulic, Saputnici: Pisma iz NorveSke (Co-travelers. Letters from Norway) (Beo- grad: Vuk Karadzic, ), p. One might also mention that Letters.
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Isidora Sekulić by Aleksandra Kokovic on Prezi
The first period in which this indispensable book was written officially belongs to the the modern era in the Serbian literature and represents its preexpressionist phase in many aspects.
The crisis of cognitive powers of the subject so poor in a relation to the dissolution of the traditional metaphysical world hierarchies is precisely reflected in the analytical self-observation or introspection. These references are notable both in her numerous essays as well in the narrative, romanesque or travelogue prose, especially in her first collection Co-travellers which anticipates expressionist articulation modes and stylistic devices of the next avant-guarde generation in the Serbian literature.
In doing so, Isidora Sekulic serves the same images that are based on the aesthetics of ugliness, in shaping the vision of the moment of death, which includes images of decay and decomposition, thus achieving the effect of disgust and revulsion so close to the Expressionists: So an arc by arc, the whole circle around the pupil.
Then the middle spark bursts, everything flashes, and when that effect of light is gone, the arc is again in its regular form and in its old place in the circle. Especially interesting is the discourse of this lyrical prose, which is given in the form of gradual dialogue between the narrator and seriously wounded that are being brought to the hosiptal from the battlefield to the death bed. Click here to sign up. Isidorin gambit Isidora’s gambit.
It is a strange pre-sense in man.
Scary pictures of people disappearing in the guts of the ball, which has no edges or walls, in the other words iside the circle on which all paths are equal and all distances to the center are of the same length. Literature and Cultural Studies, in: Remember me on this computer. Therefore, was then the instinctive response of Isidora Sekulic a withdrawal and self-isolation, a kind of a patient and traumatic psychoanalysis that isidroa help with introspection both herself and others, because: The saputnnici is being shaped from the perspective of the male character Nostalgiatowards who the author feels almost religious devotion.
This text is highly relevant for the assessment of the author’s relationship with the opposite sex, which may be said to be ambivalent, both affirmative and repellent, and a source of srkulic, adoration and ecstasy on the one hand, but also fear, distrust and the threat on the other. However, an this is particuraly interesting, people in love first make contact in the verbal level. Poetika hrvatskog i srpskog ekspresionizma Poetics of the Croation and Serbian Expressionism. issidora
Books by Isidora Sekulić
Here we must stop for a moment and return to the cover topic of our work concerning the place of the Co-travellers in the expressionist spiritual space not only in the Serbian literature, but also related semulic its European, primarily German expressionist origins. Only when one arc tears off from the circle, sparks are upset and rushed to the pupil center, but before they reach it, they draw back, the final sparks increase the speed, making the arc straight.
A headache is a symptom of self- torture, and it stems from a terrible state of anxiety produced in us by the logic circuit. They just fenced in. This happens through a tacit acceptance of his post-war assessments, and the relative indifference saputnoci those artists skulic have done most for the interpretation of modern forms of Serbian literature. In this regard, logos, the core, the center of the circle is seen at different levels – from the logic of male- female un equality, through social and cosmic-metaphysical relationship.
ISIDORA SEKULIĆ by Milena He on Prezi
To be a circle and in the circle means to be trite and silly, to be at home all isjdora time and always conscious. Zagreb, VIII, 9, It is almost a medical-psychological verbatim of development and the start of a migraine, provided however, in the cinematographic, simultanious style that was promoted by the Expressionist writers Sokel From the collection of sixteen pieces in the Co-travellers, seven may prove isdiora contain some of the important aspects of the expressionist prose model whether it is a conceptual, thematic, narrative, stylistic or semantic one.
It is a fascination with words.
Hence, the initial image with elongated human figures that seem to walk in spherical mirrors is an example of distortion as a key principle of narrative distortion, deformed model of the world, and also the base for fantastic-grotesque shaping of a prose text. And no matter how ingenious aesthetic and spirit of the law was when it wanted the worlds and creatures and ideas to be curves and concaves, it is also degenerate and vulgarised when it tightened the free and capricous curves in the completion that return to themselves Skip to main content.
Critic, poet and translator. And as I go where you go, crazy and enchanted crazy and do what you want New elements isldora there, no doubt, but they do not yet live, do not convince do not reign. In her work intellectual and analytical-essayistic digressions as well as the play of the narrative perspectives have a higher proportion.
Srpski ekspresionizam Serbian Expressionism. It is skeulic in the tradition of lyrical prose that in Serbian literature came to life at the turn of XX century, in the form of short prose genres such as prose poems, sketches, short stories and novellas. Migraine pain in the narrator wakes the desire for answers even bigger: If you return the text back to a modern form, it becomes clear to you that the expression is still in the effort and want.
Therefore her speech receives feature of a direct rebellion against logocentric repression of a circle: